The Constructor. 1924/printed 1985. Gelatin silver print from the original glass plate negative on Agfa paper. 20,2 x 22,2 cm (40,5 x 30,8 cm). With "griffelkunst" edition stamp and photographer's signature stamp on the verso as well as annotated by another hand in pencil on verso.
Small crease in lower left corner, some buckling and small surface irregularities, otherwise in very good condition.
Young man on the beach. 1950s. Vintage gelatin silver print. 22,3 x 27,5 cm. Photographer's stamp and annotated in pencil/red crayon with layout notes on the verso.
The German photographer Herbert List made important contributions to 20th-century photography. His seamless blend of classicism and modernism resulted in visually arresting images that at times evoke a sense of surrealism. List had a unique ability to capture moments of stillness and poetic elegance in his work. – Edges slightly curled, corners slightly bumped, some handling dents/creases, stronger crease in lower left corner, some retouching in hip area, otherwise in good condition.
Man Ray
Le violin d'Ingres; Palais de quatres heures; Marcel Duchamp
Los 4233
Ergebnis (inkl. Aufgeld) *
938€ (US$ 977)
Le violin d'Ingres (1924); Palais de quatres heures (1932-1933); Marcel Duchamp (1916). 3 gelatin silver prints, printed 1991. Each circa 26 x 20 cm (30,2 x 24,2 cm). Each with "Griffelkunst" and "ADAGP Man Ray Trust" copyright stamps on the verso.
Minimal buckling along edges, otherwise in very good condition.
Erotique voilée.1933. Gelatin silver print on Agfa paper, printed 1991. 24,4 x 17,5 cm (30,3 x 22,5 cm). With "Griffelkunst" and "ADAGP Man Ray Trust" copyright stamps on the verso.
Lower left corner bumped, otherwise in excellent condition.
Lit.: Man Ray. Photographs. London 1982, ill. pp. 69,17 and 114.
Landschaft im Revier. 1961. Vintage, large-format, ferrotyped gelatin silver print. 50 x 60 cm. Mounted to board and matted, signed, titled and dated by the photographer in ballpoint pen on mount verso.
In 1957, Guido Mangold began studying photojournalism with Otto Steinert at the School of Arts and Crafts (Saarbrücken). In 1958 he transferred with Otto Steinert to the Folkwang School in Essen, where he graduated in 1960 with a degree and the Folkwang Achievement Award. From 1961 onwards, he worked as a photographer for the United States Information Service (USIS) in Bad Godesberg. In 1962, he left the USIS to travel to Southeast Asia for several weeks on behalf of the aid organization Misereor, where he documented the local culture. Mangold received a contract with the magazine Quick in 1963, for which he traveled worldwide as a photojournalist. As of 1966 he worked as a freelancer for German magazines such as twen, Eltern, Playboy, Jasmin, Stern. – A few surface scuff marks, some retouched spots, some light spots in sky area, otherwise in very good condition.
Pablo Picasso. 1947. Gelatin silver print, printed 1989. 31 x 29 cm. Estate stamp and "Griffelkunst" edition stamp, annotated by another hand in pencil, signed by Jutta Niemann in ink on verso.
Corners slightly bumped, small creases in lower right corner, otherwise in good condition.
Lit.: Willy Maywald. Die Splitter des Spiegels. Eine illustrierte Autobiographie. Munich 1985, ill. 57.
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© 2024 Galerie Gerda Bassenge
Galerie Bassenge
Erdener Str. 5A
14193 Berlin
Öffnungszeiten:
Montag bis Donnerstag, 10–18 Uhr,
Freitag, 10–16 Uhr
Telefon: +49 30 8938029-0
Fax: +49 30 8918025
E-Mail: info (at) bassenge.com
Impressum
Datenschutzerklärung
© 2022 Galerie Gerda Bassenge